Monday, October 31, 2011

The One Who Sees: Notes

The One Who Sees
by 
Jodi Ralston
Copyright 2011 Jodi Ralston


Links:  Master Post | Notes | 1. | 2. | 3. | 4. | 5. 

Posting Note: 

Earlier, I was undecided about whether to post a large snippet of my first ebook, The One Who Sees, or to post it free briefly.  I decided on both. 
From November 1, 2011 to November 13, 2011, this novelette was posted in its entirety.  As of November 14, 2011, it has been reduced to a sizable snippet.  The entire work is about 18,000 words, and it is mythic fantasy; the remaining snippet is about half that size.


Title Page and Front Matter:

The One Who Sees 
by Jodi Ralston

This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental.

Copyright 2011 by Jodi Ralston.

All rights reserved, including the right to reproduce this book or portions thereof in any form.

Original cover art image by nuttakit. Cover by Jodi Ralston.

Blurb: 

After nearly drowning in a lake, young Osan of the First Sister tribe gains shaman-sight, the ability to see the souls dwelling inside people. In doing so, he discovers the secret shamans have kept from everyone: the souls are inside the wrong bodies and have been so since birth.  More than that, the soul of his dead brother is still alive, inhabiting the body of the enemy chieftain's son. This is the very soul the shaman of Osan's tribe holds hostage in order to start a war. The shaman does not care that the souls are misplaced, that souls of the First Sister tribe live on both sides of the battle line, that in essence family will end up killing family.  He just wants to expand his domain and gain more power. He wants the enemy dead or enslaved.

But Osan knows, and it draws on his greatest pain:  Several years ago, fear of the shaman prevented Osan from seeking the shaman's aid when the enemy's plague swept the tribe.  Osan's family died because of his cowardice.

This time, Osan won't let fear stop him from doing what is right. He will steal his brother's soul and return it to its current, foreign body. He will do this even if it means he will never see his brother again, even if it means exile, even if it means death. For that is the only way he can stop the war and the killing, and it is the only hope he has to reveal the truth about souls that the shamans hide.


Purchasing Availability:

This story is available on Amazon and Barnes & Noble currently.  I am working on a Smashwords version as well.  The price is $0.99.  If you enjoy The One Who Sees, please consider purchasing a copy or spreading the url.  Thanks!

Sunday, October 30, 2011

SampleSunday: Letters of the Dead (Beginning, Part 3)

I'm falling behind on my schedule of getting Letters of the Dead grammar-edited and formatted, so I hope doing #SampleSunday starting from the beginning will force me to work harder, work more.  So, this is still a work-in-progress.

Previous Snippets:
  1. SampleSunday: Letters of the Dead (Beginning, Part 1)
  2. SampleSunday: Letters of the Dead (Beginning, Part 2)

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Snippet from Letters of the Dead, a work-in-progress fantasy novel, by Jodi Ralston:


The carriage slowed, then stopped.  Traffic must have been light in the City today.  I put away the letter, and while the cab waited, I took in my destination.

    Outside the window were the manicured lawns and hedges, the coiffed flowerbeds and military-stanced "domiciles"--a fit scene for the clatter of perfect hooves on perfect horses and the rumble of perfect carriages.  No string of houses here like a segmented millipede.  These were the grand houses of gentry wishing to live with the convenience of the city but the illusion of the country.  These were the grand houses of those who thought the aristocrats lived in perfection and tried to mirror it, painfully so.  My destination's "domicile" had four stories, not counting a basement and cellar and attic; those stories hurt the veneer of rigid prettiness by hinting at actual work.

    A heavy gate presided over a short walk to the front door, but it was neither open nor attended by more than a single bell.  The baron would have approved of the structure.  He had loved barricades, rows of them between home and world.  But that was nothing new; even back in his earlier, clearer days, back when he was Queen Corva IV's personal physician, he had recommended extra gates for her.

    Even so, this was wrong.  While the baron remained unburied, the gate should be open to allow in mourners both hired and true and to welcome in the psychopomp with the deceased's soul.  There should also be some grey bunting--or rather, fresh grey paint for the well-to-do.



    The cabby called down from behind, asking me if he should wait--a reminder that I should do something other than sit and delay.  It was a gamble, knowing without feeling the small coins in my pocket.  But on the other hand, the gentry did like proper attention from mourners.  I couldn't risk failure by imperfection.  I asked him to stay.  He opened the door from his perch, and I got out.

    Bringing an umbrella would have been prudent, although unsightly as a hat on the head of a hired mourner.  It looked like spring showers, perfect precipitation for any funeral.  We'd had none for a month now.  More precisely, none since the Day of Lady's Hope, the only day she gave up her Tearful Sorrows, the anniversary of her one day of joy.

    It was the day devout women gave their promise to their intended, as the Lady gave hers to her Gentleman of Grey.

    It was the day the . . . court doctor asked Hon. Beatris Poole to give hers and elope.

    It was also the day Princess Hartlyn II had died.  Ever since, the queen, her mother, had banned marriage on this day and penalized with annulment those who dared.

    Lightning pulsed in the distance, bringing me back to the present where I stood by the cab fretting my scar.  A welcome distraction, I thought, except for the fact the thunderstorm looked like it might sweep west toward Heyer.  I hoped not, for Mrs. E's sake.  She needed her rest.  But hoping did little; being at her side did.  So, I forced my hand to relax, forced myself to ignore the rumbling of clouds, and walked to the unadorned gate.  I rang the bell, waited, waited some more, and found no answer.

    I tried the gate itself.

    Unlocked.

    Perhaps its closure had been in error.  Even so, I left it ajar slightly.  Not that the psychopomp truly needed such assistance, but the dead would appreciate the thought.  However, the nearer I drew to the house, the more my misgivings grew.  While the nearer clouds looked somber and full of funeral grey, the house was far from it.  Not even a wreath on the door.  Not a single pinning in a window.

    "I am sorry," the baron had written, "for the pain I caused."  The pain had lingered, a wound festered into hate.

    I could be wrong, I thought, as I flexed the tension from my hand.  I could be too late.  Flex and unflex.  Or at the wrong place.  Flex and unflex.

    Let me be wrong.

    Once upon the stair, I didn't get the chance to knock: the door was opening.  Being thrown out was a mourner boasting pasted grey hair and a ridiculously large tear mark and musky fragrance I could smell from here.  A firm "It does not matter who your brother is, sir.  My mistress does not wish to employ mourners" came from the butler who was dressed in black without a speck of mourning color.  "Please, do not disturb her further."  Probably meant for me as well.

    So much for hoping.

     As the door closed on us, the mourner aimed a kick at it and muttered several verbal kicks unrepeatable before settling on something less indecent:  "And see who will speak your goods if you deny another man's."  He swung around and stopped when he saw me.  His eyes narrowed as he saw my mark, and just as quickly the squint turned into a smirk.  "Yeah, good luck, my brother."

    I gave him a smile of commiseration and stepped aside.  "Heard.  But I think I'll try anyway."

    The squint returned, and he sidled close.  So close, my stomach soured and my eyes burned at the taint of magic on him.

    "You think, you say?"

    I backed up, nearly tripping down the porch.  My scar throbbed.  My hand clenched around it.  My lungs tried to clench, as well, to keep out the taint, the magic.

    Not now.

    "What is it you think?"

    I focused on the man to keep my eyes open--not a good idea to close them at the moment, given the company, the way he stared me up and down, as if ready for a mill.

    "You are thinking they wait for better quality; is that what you think, my brother?  That you can do better than brother to Queen's own doctor?  That you can do better than Princess's own mourner?  Is that what you think, my brother?"

    If he meant me, they would have to wait longer than the Lady waits for her promised.  I had a feeling if I said that, no matter how honestly I meant it, he'd take it as a jibe.  He'd want to, the way he tightened his knuckles.  The way he brandished that large, red, pyramidal ring on his right hand.  He was built like a snake, too: all sleek muscle.  Easy to see despite his suit.  Just as easy to see that if he moved much closer, I'd lose my breakfast.

    Ailing and bloody mourners weren't exactly invited on premises.

    So, I stood my ground.  Not so easy, knowing his identity and the unexpected, unwanted past he brought with him.  But I held my teeth, tried not to breathe, and gave a more palatable truth, "No, sir."  I suppressed a cough, barely.  "Because I hate wasting a fare."  I nodded to the cab that waited and the cabby atop on his seat.  A cabby who now pretended to be interested in the view between his horse's pricked ears.

    The mourner looked.

    Then he uncoiled and wiped bangs from his forehead.  Squint gone, he laughed and slapped my arm with his left hand.

    A cough exploded out of me, sending me staggering against the building.  My commotion cut over the spoken reason behind his laugh, but he didn't take any further offense.  Once he had walked past my cab, a safe distance, I focused on breathing.  Just my breathing.  Deep, slow breaths.  And my coughing passed.  More deep, slow breaths, and my throat didn't burn.  Deep, slow breaths.  Until my eyes weren't blurry--or suspiciously wet--anymore.  Until my scar no longer throbbed like a tachycardic beat.  Deep, slow, that's it.  There.

    Who in Corvish history was that man, this brother of Sir Wrossen?

    I straightened and wondered at him, at his words, his lack of transport, and more importantly, what exactly was magicked on him?  What had provoked my allergy?  He seemed saturated with it, as if bathed in cologne.  Heavily-magicked cologne.  I hadn't felt that bad since the fast-boat trip over here, when every inch of that week was suffused with magic.

    The past threatened to saturate the present as well, something I didn't need to carry with me.  So, I put it and Sir Wrossen's brother from mind.  Once I felt my composure firmly in hand, I tried my luck at the door.

    After the second knock, the same butler with the same expression opened the door.  "My mistress--" he began, then stopped.  Squinted at me--not good--with eyes tired from decades of use.  "Mr. Oldig?"

    I stepped back.  "You--"  The words caught on relapsed throat tickle.  "You know me?"

    "I was at the Madam Cornan's when you came."

    Madam Cornan.  The dowager who had given up title and fortune attached to the name baroness of Rockwell.  The missionary who lived among the "Barbarians" before the Empire freed them and then remained with them after.  A great lady who deserved a second chance more than most and most certainly didn't deserve to die from magicum poisoning from living too long on that island.  Also, my . . . first.  Not as a mourner, either; that idea had come next.  But . . .  "How could you remember me . . . from then?"

    "You seemed inspired.  All her family thought so.  No one spoke truer words of my mist--old Madam Cornan."  A younger smile creased his old lips as his eyes looked into the past.  "'Her heart was full of more good intent than she could ever have days to see completed.  She desired to neglect none, for none were too small to help or to cherish as children, and those who walked away were greater for knowing her and being known by her.  She touched many and still touches many more, now more than ever in the memory and the minds of the living.  That is her legacy.'  Better than what the queen's men said, better than anyone said about her life's work, and no one was as such deserving of such words, no one, but--"  He seemed to catch what he was saying and looked back to the house.

    I . . . I had said . . .  something like that.  To her grieving brother.  Madam Cornan had written, all she had written, was "Make him understand why I did what I did, so that the fewest suffer and most can gain from my own suffering."  Beyond that I didn't remember well.  I wasn't really . . . myself then; the ship trip being only part of it.  The rest being I didn't want to remember myself back then.

    My silence lasted too long, but it didn't seem to slow the butler.

    "Now," he said, "I see there are others deserving of your good words and comfort, and they shouldn't be denied their share."  The butler--I wished I remembered his name--stepped back.  "Come in, Mr. Oldig."

    So it turned out, sometimes the dead helped you more than you thought.


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Sunday, October 23, 2011

Blog Notice

The normal Wednesday post will be absent this week as I work on two major goals:
  1. Finishing ALL grammar edits on Letters of the Dead.
  2. Completely prewriting my nano2011 novel.
Normal posting--plus some extras, I hope--should resume the following week.  Thanks for bearing with!

SampleSunday: Letters of the Dead (Beginning, Part 2)

I'm falling behind on my schedule of getting Letters of the Dead grammar-edited and formatted, so I hope doing #SampleSunday starting from the beginning will force me to work harder, work more.  So, this is still a work-in-progress.

Previous Snippet:  SampleSunday: Letters of the Dead (Beginning, Part 1)

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Snippet from Letters of the Dead, a work-in-progress fantasy novel, by Jodi Ralston:


I had read the letter in fits and starts half a dozen times as I walked to the make the train, and upon boarding a second-class car, packed elbow to elbow, I found out the past could pack in closer.  Even before the train Forevermore wrecked and sealed its memory not in the durability of iron and genius but in the loss of lives and struggle of the survivors, even before that accident, I had never been comfortable with trains.  Now, with this letter, clenched inside my pocket, I felt even less.  Normally, I would pull such a letter out and use my time wisely re-reading it; after all, the dead were ever difficult to understand.  And I had plenty of room to so in, for as I had learned early on, folk dressed in suits of all grey, without a hat, and radiating discomfort were rewarded more room than necessary.  But yet, the letter never left my pocket.  The dead might be difficult to understand, but the baron came with additional . . . complications.

It was not until I left the train behind, and my past with it, that I could try to make the sense the dead and the psychopomp desired of me.  But first, a few last, necessary distractions.

    At the destination station, I hired a cab.  Three miles left to reach the baron's daughter, and it would cost more than the hour train ride and take just as long.  But a mourner didn't arrive on foot before such society, particularly Corvish gentry, not in this country anyway.  At least, it gave me the privacy and better steadiness to finish my cover.  I pulled out from my pants pocket a small tin and twisted off the lid.  A wide window of metal shone at the bottom, rimmed by little grey face paste.  Something else I needed to buy, but didn't have the money for.  Not that long ago, less than a year ago, it had been new.  I pulled off my glove, scraped some paste onto my finger, and drew the tear mark on my right cheek.  Smaller than usual, but still good.

    What was not good was my scar.  Tinged by grey rather than concealed, it stood out ever the more sharply: a royal crest branded on my fingertips from a single ring and its defective magic.

    My mistake.  I should have used my left hand, I thought, as I cleaned it.  Usually I did, but the letter and its contents hadn't moved far enough from mind.

    Nor had another letter in the same my pocket, a letter which I wished I had the sense to leave home.  I closed my eyes to avoid staring at the past, both here and oceans away, wishing to avoid thoughts on scars of all kinds as I pulled out the baron's letter.

    Not easy, but it was time.  I put away the tin.  I put away my distractions.

    I found that easier to do once I broke the letter down into its parts, of which there were many.

    The letter had been written over twice and only once post-mortem.  The original letter was not the baron's, but another's.  A clandestine love letter to the baron's daughter using the address of a woman as cover.  A letter long in declaring affection.  In just as long a fashion, asking her to meet him, to elope if nothing else, her "father and all else be damned."  I would have blushed if not for the date and the man.  A bad date, the day of the Forevermore disaster that claimed too many lives.  Including that of Princess Hartlyn II, the young lady who was born thanks to the baron's special magicum, but thanks to his assistant, this writer, she had appeared a couple of months after her death in her namesake colony.  Appeared in my father’s preserving room, stuffed with illegal, traceless magics for the underground revolution.  A fact which fortunately no one knew save my family, this court doctor, and the dead.

    I just hadn't realized the strength of connections between this traitorous former assistant and his master’s family.  But the baron was a man of connections that reached too far, even in death, and were always complicated.  And that part, this part of the letter, was of the past that had taken me a year, an ocean, and a now an hour train ride to leave behind; I did not need to add any more to it.

    So, I smoothed the creases in the paper with my left hand, my scarred one being bound up in a fist, and I focused on the next part.  Turning the letter sideways, I saw more to disturb.  The baron, while still alive, had written a message to his daughter, crosshatched over the love letter, and he had written it a few days after the Forevermore tragedy.  The baron needn't provide the date; his erratic hand and the . . . complicated nature of the words themselves told more than enough:
Beatris, I chanced you would listen to a letter from your "true love's" hand.  I am not sorry I separated his correspondences from your attention.  I am sorry for the pain he caused you, for the pain I caused, for the pain this may cause; yet Terrible Work is at hand and of Greater Importance than what we feel and regret.
 
Someone feels dispatching me is worth the Risk of what I Own, is worth the Risk of all Humanity.
You no longer trust my promises.  But this goes beyond promises.  You no longer want anything of me.  But I must give you This:
    Here the baron's post-mortem request of me rendered a foreign word, perhaps a name, barely discernible.  I deciphered the word best as: MAL'A'NYE.

The remainder of the letter, despite its content, proved somewhat easier to read:
For Five Years hence your Receipt.  That is the length of time that is safe.  That you will be safe.  Five years.  The Others will help you to understand, but trust them little.  Trust history best.  Trust I know you better than you know your own sentiments, your own weaknesses and strengths, and that I want only your safety.  Five Years.

Now, shred this letter.  Burn it.  Bury the ash.

Be Safe.

Your Father, Baron Poole
    Lastly, came the request penned--or rather, dictated--from the Afterlife: DELIVER THIS TO HER--BARON POOLE.
   
    So there it was.

    I folded the letter, closing up the little world I have been . . . I smiled . . . enveloped in.  The present world, that of this road trotting past, though, did not offer as much to smile about.  This letter . . . this letter, such fragments from life and death: an old lover letter and an apology, inseparable--was I supposed to believe my mission would be that simple?  A mere delivery of a letter never sent?  And why write this apology over this letter of Sir Wilhem Wrossen's?  Why insist on writing this apology in the first place?

    Because.  Because.  I ran my fingers on the edge of the fold.  Because his world consisted of little more than that of a child trapped in a nightmare.  He did not realize how his words would appear to her, that they would give his daughter two different pains to agitate: that involving an old love and that of her father's . . . mind.  Not to mention other pains attached to that lover’s name and connection.  Attached to that past.

    So, no, it would not be simple.  His wounds could not be healed without adding some to another--or rather, reopening another's wounds.

    I could not believe he intended that.

    Nor the psychopomp.

    I'd deliver the intent of the words, not the letter, and see what mending could be done.


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Sunday, October 16, 2011

SampleSunday: Letters of the Dead (Beginning, Part 1)

I'm falling behind on my schedule of getting Letters of the Dead grammar-edited and formatted, so I hope doing #SampleSunday starting from the beginning will force me to work harder, work more.  So, this is still a work-in-progress.

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Snippet from Letters of the Dead, a work-in-progress fantasy novel, by Jodi Ralston:

    For someone who received letters from the dead, I was quite the coward at opening the living's mail, or rather, opening mail from home.  Currently, the week-old letter occupied my pocket, out of sight, but not far enough from mind now that I had finished making my aunt's pills.  Even without letter before me, I could see my sister's handwriting.  I could imagine her at the writing desk, smiling despite each word.  I could imagine my brother leaning over her shoulder, investing himself in each line she penned, speaking loudly with or without a single word--so loudly that even oceans away I could hear, ringing in my ear, his censure and disappointment for his errant little brother.

    No.  No, the letter and home was never far enough from mind.  Things of mixed emotion rarely were. 

    I pulled off my work gloves and set them beside the pill box painted like a red flower.  Inside it were the pills I had made.  I picked up the container, a little too harshly it turned out.  The opium-mix pills, covered up in pretty shells like pink candy, rattled inside.  Far from innocent but pain didn't bear such considerations in mind.  Pain was a fire, burning where it would.  Sometimes these little pills offered the only help left.

    I stood up, pills rattling, ready to take them upstairs to Mrs. E's bedroom so Mr. E didn't have to.

    But circumstances conspired so I did not have to yet: Mr. E stood in the doorway linking kitchen to the mixing room.  How much had he witnessed?  The smile on my uncle's face said, Not much.  That smile was like a warm day in a long winter, not common enough.  That smile was more than enough to wipe away earlier thoughts and to bring better in their stead.

    "Son," he whispered as he placed the letter beside my discarded gloves on the worktable.  "You meet more misses at funerals than most find at dances."

    A miss?  It must be a dead letter.  Like the postmen, Mr. E saw what the deceased wanted casual outsiders to see: directions to me and my location, not to where the deceased intended me to go.  That didn't stop others from seeing the actual return address.

    "With such luck," Mr. E was saying, "maybe I should hire myself out to mourning as well."

    Then he seemed to remember the real recipient of his josh laid abed upstairs.  Worse, he saw the unintentional morbidity and portent in his words: he sank in on himself as he stood there, hiding his apprehension by stroking his mustache.  You had to look closely or share familiarity to notice that the mustache--more grey than blonde now--had grown as thin as his voice.

    He needed distraction.  "Mr. Elandris?"  I picked topic mundane.  "What do I owe you for the postage?"  I touched his sleeve.  "Sir?" 

    "Eh?  Oh.  Oh, yes.  Don't bother yourself about it.  Did you finish the scripts?"

    "Yes."  But he didn't refer to the customers.  "Yes." 

    He took the pill box from me.  Opened the lid.  Counted the week's worth of medicine, all twenty-eight--doubled from last month.  But he didn't see pills: he was seeing symptoms and a cure-all for the incurable migraines that led to attacks . . . that might lead, someday, to another stroke. 

    I saw not a cure at all.

    Morbid, Roderis.  Morbid.

    "No, son," Mr. E said, as he closed the lid.  "You go on."  He turned from me.  "I can handle any arrivals and appointments without my assistant for the afternoon."

    But I preferred he wouldn't be alone.  "Is Miss . . . "  What was the latest maid-of-all-work's name?  They turned over so quickly.  "Is the maid coming in?"

    "No."  A tightness had entered his eyes and grip.  "She worried Mrs. E's nerves."

    Few were the reasons for dismissal in this household.  One being too present, too noisy, distressing Mrs. E's sensitive ears and triggering her headaches.  The other being talks on things the Elandrises rather strongly wished they wouldn't.  If I recalled correctly, despite my best advice, the maid had a passion for the non-human slaves, the Possessions.

    "But they are only myth--"  I had said once when the dinner table sat three, not two.  And Mr. E let nothing more be said.  Not even that much would be tolerated now.

    "Sir, we can look in the ads for a new help tonight, if you want?  Or perhaps," I said, hoping he would take a nudge of advice, "we could invite . . . "  The nearest relations lived in the country, and even if one cousin were in town, they were too full of sympathy and a caution to accept an invite.  But maybe it wouldn't be so for others.  "We could invite your friend, the one apprenticed the year before you at your master's.  I've seen him and his wife several times now; they must have moved closer.  I'm sure they would welcome renewing your acquaintance in person rather than over letter?"  More than that, Mr. E could use some fresh companionship and Mrs. E could do with some careful, mindful same.  "He might be able to offer a good recommendation, besides."

    "Perhaps. . . .  You go on now, son."  His voice was half-here, half-up-there with Mrs. E, even before he turned away.  "We'll be fine."  He tiptoed out of sight.

    Nudge not taken, but perhaps his friend could be found and a conversation struck up, steps taken to bring change into his household.  Change for the better.

    But for now, I was left with letters.  The new one, at least, I could do some good . . .

    I picked it up off the work table, and a name stared up at me.  Poole.

    . . . or maybe I could not.

    A miss had directed this letter to an Honorable Beatris Poole.  Poole was common enough a name.  Surely, it need not be tied in any way to the late Baron Poole.  Surely.

    Yet.

    Yet, after almost a year of receiving the dead's letters, I had developed intuition.  Or rather, my scarred fingers had, fretting over the name without command from my consciousness.  Mr. E had his tic; I had my own.

    Rarely had I opened a dead letter here, in this place, in this home.  Not so much a superstition as a desire to keep lives separate, like the partition that divided kitchen from mixing room, home from work, the recovering Mrs. E from the succumbed baron, the living from the dead.  But hadn't the boundaries already been crossed?

    Crossed just over a year ago.

    By a single train wreck that had scarred both of their lives--and so many more.

    I held the letter, considering that.

    I held it, knowing superstition held me back--but I would not read all of the letter here.  I just needed to see.

    I cracked the red seal--never quite sure who re-pressed that wax.  The dead?  Or the soul's conductor, the psychopomp who directed--or rather, misdirected--their mail to me?

    Focus, Roderis.  Deep breath.

    I opened the letter.  Over the original letter, the post-mortem script read:

    BARON POOLE.




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Sunday, October 9, 2011

SampleSunday: Letters of the Dead: Roderis Meeting Malanye

I heard about #samplesunday on the Writer's Cafe on the Kindleboards and read more about it here.  This Sunday I decided to join in.  Some setup.  Letters of the Dead is currently undergoing grammar edits (haven't reached this section yet) and will be my first self-published ebook once done.  The main character (narrator) Roderis receives letters from the dead, sent by the psychopomp (a conductor of souls).  Roderis has received one from Miss Poole's father, Baron Poole, but is confused about what the baron wants.  Roderis is disguise as a hired mourner.


========= 
Snippet from Letters of the Dead, a work-in-progress fantasy novel, by Jodi Ralston:



We had arrived, the butler showing me into the mourning room.

I almost believed one of us were mistaken until I saw the open casket near the wall.  By it stood a Corvish gentleman of black hair.  He was dressed in even more somber black, arms folded behind his back.  I hadn't time to ask of his identity; the butler was already gone.  The casket and a griever might be here, but seeing the state of this room, I didn't believe a psychopomp miracle or my help would be welcome here.

Gaslights blazed about the room instead of grey candles.  Not a pinch of funerary incense burned to soften the scent of preservative magic in this room.  Uncovered furniture crowded the space.  And not a single picture paid vigil over the deceased much less the room; in fact, if any of the lady of the house once graced this room, they had found a new place.  However, the worst lack lived on here as it did elsewhere: the absence of grey.  Nothing on the door, window, curtains, furniture, casket, anywhere--

No, wait, there were specks of grey on the gentleman.  On the scant trimmings of his dress coat's sleeves, on the waistcoat, and on the knee breeches.  I had overlooked it at first, the almost Colonial style mourning in the Motherland.

Who was he?  A more congenial survivor of the dead?  Colonial?  But really, his clothing's style didn't wash as my home country's, too many details out of place.  So I pushed that distraction from mind, and focused on other details.  Such as, he didn't appear interested in me, hadn't even looked up.  Was he one of the body's escorts?  One of the baron's guards?  Last I heard, he had one for every corner of every room and matched them to the decor.  But even baron wouldn't dress them this well, would he?  Or like . . . this?  Surely, he still remembered his homeland's mourning colors.

Either way, this gentleman could mourn albeit subtly.

Why?

He must be involved.  And in view of the statement of this room, this denial of a man's last rites, where hate colored the walls instead of grief, I believed I knew why the letter had sent me here: I needed to make sure the Honorable Miss Beatris Poole received the message the deceased most wanted to impart: regret and love.  Simple as a delivery and just as hard.  The gentleman's presence hinted that it wasn't impossible.  Whoever he was, he was important to Miss Poole and trusted by the baron.  He was likely this Mr. Mal'a'nye from the letter.

A bit reality from a scribbled mess of confusion.

Someone to bridge the chasm between parent and child, or to bandage the wound.  A welcome hand of help, either way.

Time to accept it and do what I came here for.  I moved toward the gentleman and coffin.  But after a few steps, I smelled the preservative magic, and although my lungs did not try to close, my mouth and stomach burned.  If anyone knew what that magicum tasted like on the return. . . . I dabbed with my sleeve at my mouth, but didn't leave it pressed there.  Not a good idea to give offense.

At least . . . at least Miss Poole had done that much, probably more for her own nose rather than for her father's benefit.  Without a doubt, she had not ingested the magic opiates and cast that spell herself.

Good for her.  Bad for the ready-makers she purchased it from.

Morbid, Roderis.

I cleared my throat, but the gentleman didn't even look at me.  Maybe he wouldn't, not until he heard what I had to say, us being strangers and, obviously, of different circles.

Though no one else waited in this room, I edged as close as I dared to the gentleman, moving past the slight swim of the head until a heaviness threatened my lungs.  At the center of the room, I could move no more.  Too much magic and too much powdered magic opium added to fuel the preservative.

No further.  I had to trust I was close enough that my words would move him.  "E-excuse me, sir--"  I coughed and rubbed my head.  "Sir, I--that is, you are . . . Mr. Mal . . a . . .nye?"

His head turned at that.  "Yes, I am, Owner."  

I stared.  Owner?  He had called me--no--I must have--I misheard.  Possessions, they weren't real.

(end snippet)

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In case you were wondering, a Possession is an enslaved being with great magical power that is different than the magic most humans use.

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Links to some SampleSundays I found interesting, in no particular order:

Tuesday, September 27, 2011

Update: One Who Sees

It is official.  I have pulled One Who Sees, my mythic fantasy novella; it will not be published with Drollerie Press after all.  I have mixed feelings about it, but we parted on good terms, so there is that.  But I am behind schedule on Letters of the Dead, my first short fantasy novel that I plan to self-e-publish.  So, I cannot work on OWS yet.  It still needs one edit pass, a proof, formatting into ebook with cover, and one final look-see-over.  I hope to get it up mid-November, though.  Just as I hope to get LotD up by either Halloween or, more likely, by October 8.  I do know that when I get OWS up, I'll briefly post it for free on this blog.  Briefly meaning it should go down in January.

It's a plan, anyway.